‘We’ Are Not Different — RCA Collaboration

I built the sound world around instability, suffocation, emotional pressure, and loss of control, using arpeggiators, electronic textures, and evolving synthetic sounds to create a sense of psychological unease. As the film progresses, the musical language becomes increasingly restrained. In the later section, I reduced the musical material to simple, recurring melodic ideas to reflect the repetitive and cyclical nature of everyday life. The contrast between evolving electronic textures and minimal recurring material allowed the sound to follow the protagonist’s changing psychological state.